Quincy Jones, one of the most powerful forces in American popular music for more than half a century, died on Sunday in California. He was 91.
His death was confirmed in a statement by his publicist, Arnold Robinson, that did not mention a cause. The statement said that he had died peacefully at his home in Bel Air.
Mr. Jones began his career as a jazz trumpeter and was later in great demand as an arranger, writing for the big bands of Count Basie and others; as a composer of film music; and as a record producer. But he may have made his most lasting mark by doing what some believe to be equally important in the ground-level history of an art form: the work of connecting.
Beyond his hands-on work with score paper, he organized, charmed, persuaded, hired and validated. Starting in the late 1950s, he took social and professional mobility to a new level in Black popular art, eventually creating the conditions for a great deal of music to flow between styles, outlets and markets. And all of that could be said of him even if he had not produced Michael Jackson’s “Thriller,” the best-selling album of all time.
Disclaimer
The information contained in South Florida Reporter is for general information purposes only.
The South Florida Reporter assumes no responsibility for errors or omissions in the contents of the Service.
In no event shall the South Florida Reporter be liable for any special, direct, indirect, consequential, or incidental damages or any damages whatsoever, whether in an action of contract, negligence or other tort, arising out of or in connection with the use of the Service or the contents of the Service. The Company reserves the right to make additions, deletions, or modifications to the contents of the Service at any time without prior notice.
The Company does not warrant that the Service is free of viruses or other harmful components
