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How Do You Make ‘Wizard Of Oz’ Work At The Sphere? We Had To See For Ourselves. (Video)

https://www.youtube.com/watch?v=jxM8J48-XkE
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LAS VEGAS — A woman dressed in black pushes a cart across the floor of the Sphere, on it a large cardboard box labeled “Monkey #12.” She mumblessomething into her headset as she navigates the cart around heavy black machinery. Within a couple of hours, some of those machines will be emitting tall bursts of flames for dramatic effect. Others will be spitting out bits of brown tissue paper, designed to look like dried leaves whirling in the wind. The winged-monkey prop, along with several other drones like it, will be removed from the box and inflated so it cancircle menacingly over the venue’s 17,600 seats.

On this Thursday night in mid-August, the Sphere’s staff is preparing to test-run an elaborate production of “The Wizard of Oz,” which it has been advertising for weeks on its 580,000-square-foot LED exterior. Oscar-winning visual effects (VFX) supervisor Ben Grossmann enlisted a team of more than 800 people to reformat the film to fit the spherical venue’s 160,000-square-foot screen, which stretches around the arena seating and onto the dome-shaped ceiling. Various practical effects, paired with audio blasted through 167,000 programmable speakers, are meant to immerse the audience in the land of Oz. “We’re not talking about this as a movie,” says producer Jane Rosenthal, who consults on the Sphere’s programming. “We’re talking about this as an experience.”
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