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Trump Targets Kennedy Center for Total Rebuild: “The World’s Finest Arts Fortress” (Video)

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WASHINGTON — In a move that has ignited a firestorm across the capital’s cultural landscape, President Donald Trump announced a sweeping, two-year closure of the newly renamed “Trump Kennedy Center” for what he describes as a “complete rebuilding.” The plan, unveiled via Truth Social and later clarified in press briefings, aims to transform the 1971 Edward Durell Stone landmark into a “World Class Bastion of Arts” using a mix of original industrial materials and opulent new finishes.

President Trump comments on the Kennedy center at 1:30. Video courtesy DWS

The announcement has sparked a massive “bruha” among preservationists, Democratic lawmakers, and the Kennedy family, many of whom view the renovation as a pretext to erase John F. Kennedy’s legacy and to bypass a wave of high-profile artist boycotts.

The Plan: Steel, Granite, and Marble

Addressing reporters on Monday, President Trump pushed back against rumors that he intends to level the building entirely. Instead, he framed the project as an aggressive “revitalization” that respects the bones of the original structure while gutting a “tired, broken, and dilapidated” interior.

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“I’m not ripping it down. I’ll be using the steel,” the President said, emphasizing that the primary structural framework would remain intact. He also noted that while the exterior is being reimagined, he plans to keep and repurpose “some of the granite and marble” from the original facade and interior halls.

However, the “Trump touch” will be unmistakable. The President recently shared images of potential high-end marble slabs intended for seating armrests and lobby floors, promising a level of “Success, Beauty, and Grandeur” that he claims is “unlike anything ever seen before.” Kennedy Center President Richard Grenell confirmed the administration is tapping into $257 million in federal funds—allocated through last year’s “One Big Beautiful Bill”—to address HVAC failures, crumbling parking garage concrete, and “decades of neglect.”

The “Bruha” on the Potomac

The decision to shutter the venue starting July 4, 2026, has met with fierce resistance. Opponents argue that a full two-year closure is unnecessary for standard repairs and suggest a more radical architectural erasure.

Jack Schlossberg, grandson of President Kennedy, took to X to condemn the move, suggesting that even if the physical building is “demolished” or rebranded, his grandfather’s legacy would endure. Meanwhile, Representative Joyce Beatty (D-Ohio), an ex-officio board member, has already filed legal challenges. She and other critics argue that the President lacks the authority to unilaterally shutter a congressionally designated “living memorial.”

“Trump is desecrating our national performing arts center,” said Rep. Brendan Boyle (D-Pennsylvania), echoing a sentiment shared by many in the arts community.

The timing of the closure is particularly controversial. Over the past year, the center has seen a “revolt” of the arts, with performers like Philip Glass withdrawing world premieres in protest of the administration’s takeover and the addition of Trump’s name to the building’s facade. Critics suggest the shutdown is a “face-saving” maneuver to end the optics of empty halls and canceled shows.

Structural Integrity vs. Aesthetic Overhaul

The debate over materials—keeping the steel but swapping the skin—has become a metaphor for the struggle over the center’s identity. Architecturally, the Kennedy Center is known for its stark, white Carrara marble exterior, a gift from Italy. Trump’s plan to remove and replace significant portions of this stone while retaining the “hardened steel” frame has led to fears that the “new and beautiful landmark” will bear little resemblance to Stone’s original New Formalist design.

Staffers at the center, who reportedly learned of the closure through social media, expressed concern over the logistics of relocating the National Symphony Orchestra (NSO) and the Washington National Opera. While Grenell has promised to find alternative venues, the lack of a clear timeline or operational plan has left employees and unions in a state of “crisis.”

As the July 4 deadline approaches, the battle over the Kennedy Center is poised to become a landmark legal and cultural showdown, testing the limits of executive power over national monuments and the very definition of a “presidential memorial.”


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